DonCee Coulter

Bio

DonCee Coulter is an American artist born in Columbus,Ohio. He discovered his love for art at an early age, a talent inherited from his grandfather, father & uncle. As he grew up, hip-hop became a big influence in his life & pop culture. DonCee found his niche in the movement by designing clothes for break-dancers & hip-hop artists. With his newfound talents, Coulter later decided to take a fashion design course while attending college – which furthered his interest in working with fabrics and designing clothes. After college, he began working as an illustrator for various companies & publications. He soon formed his own company ‘1201 Art Designs’ and later joined Purpose Magazine as an illustrator & cartoonist. In 2001, he decided to pursue his passion and began working primarily with fabrics.

DonCee’s works vary from the tranquil forest meadows to an urban crawl buzzing with life, to jazz musician pulling a long note. His city scenes and landscapes have gained him mainstream appeal.  Every piece of the artist’s collection poses tiny details of the individual world bringing them to life and features his trademark eagle.  According to the artist, a lot of time goes into planning each piece. All of his works are imaginary, idealistic and fictional.

Statement

My artwork has a unique look that is constantly revolving. Some have described it as having a three-dimensional / high definition effect due to the incredible attention to detail. Texture plays a major role in the overall appeal of each piece. Leather and suede have been my fabric of choice, as their texture translates well in my pieces. My only apparatus is the xacto knife. It allows me to make precise cuts and gain control over rugged fabrics such as denim.

As you view my work, you will get some sense of perspective through my eyes. I break down my subjects in different planes before considering color or texture. The dominance of warm colors reflects the overall mood of my pieces. My goal is to give off a vibe of tranquility.

Press

Jenkins, Mark. “In the galleries: At two Washington spaces, art of a political caliber.” Washington Post. August 16, 2019.